(Source: youtube.com)

Over the mountains, and threw the haze of a misty cloud.
There is a person who stands alone and shouts out loud
do you need me now.

And in the city, and threw the sounds of a noisy crowd.
There is a person who stands alone and shouts out loud
do you need me now.

All I know is what I see,
and there is no one here with me,
and it shows everywhere I go
that’s all I know.

Sometimes in life, sometimes in life you find that special one.
And when the moon is in the sky and shining bright
tonight could be the night.

All I know is what I see,
and everybody’s here with me,
and it shows everywhere I go
that’s all I know.

Over the mountains, and threw the haze of a misty cloud.
There is a person who stands alone and shouts out loud
do you need me now.

Take A Listen To “All I Know”

(Source: ronnieandheather.bandcamp.com)

Wait for Stars plays melodic, acoustic based music. Wait for Stars is a singer/songwriter from Boston who became passionate about music around the age of 7 when he began sneaking into his older brother’s room when he was’nt home and playing his huge record collection of rock albums. WFS grew up listening to bands and singer-songwriters like Elvis Costello, Josh Rouse, Crowded House, Counting Crows and Toad the Wet Sprocket. WFS has been in several bands since the age of 17 and has played in over 100 clubs in the Northeast. WFS is interested in other artists recoding Wait for Stars music. Please take a listen.  WFS grew up in the Boston area. WFS records all current original demo material in a small home studio, digital 8 track. All instruments, vocals performed and recorded by Wait for Stars.

Click On MUSIC BY “WAIT FOR STARS”

PJ Taylor is a songwriter from Marylebone in Central London, UK with a passion for music. He has a growing fanbase in the US and the UK. Though not an instrumentalist he create the lyrics and melody of a song in his head. His music is inspired by obsession, transgession, addiction, emotions and human interaction, and people can really make a connection when they hear his lyrics. He likes to write songs that can be interpreted in a number of different ways, drawing mainly from his own experiences and emotions. He started off covering tracks such as Tracy Chapman’s Fast Car, The Verve’s The Drugs Don’t Work, Bon Jovi’s Bed Of Roses, and Save The Best For Last by Vanessa Williams until 2006 when he started writing his own material. Since than he has written and recorded over 20 songs including Morning Light, More Than A Love Song, Hesitation, See This Through, I Feel Your Poison, Breathe A Little Deeper, Twisted Love Song and Every Little Action. From 2012 he plans to record an album of new material. He hopes you enjoy his music.

Click On More Music From PJ Taylor

Audio-Technica recently renewed its sponsorship of the John Lennon Educational Tour Bus, a non-profit state-of-the-art mobile recording and multimedia studio. As part of its ongoing commitment, the company will continue to serve as the official microphone provider of the Tour Bus, supplying a complete line of A-T microphone products for use on the bus (including 40 Series, Artist Elite, wireless and other key products and accessories). In addition, A-T will be contributing to the prize packages of the related John Lennon Songwriting Contest.

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From June 30 to July 2 of 1966, the Beatles performed five concerts at the Budokan arena in the Japanese capitol of Tokyo. The band’s arrival in Japan, originally due for June 28, was greatly delayed by a hurricane, and they did not land in the country until 3 AM of the following day. All told, the five concerts attracted 25,000 fans, with all shows selling out, and the telecast delivered an astounding 60% television rating. This was reported heavily in the Japanese media, who characterized the unexpected fan frenzy as a “Beatles hurricane,” obviously referring to the weather that preceded their arrival. The concerts inspired many Japanese youths to pick up a guitar, giving rise to a flourishing band scene the likes of which the country had never seen before. This played a big role in the transformations that the Japanese music scene went through during the 1970s. Incidentally, these concerts marked the first time that the Budokan arena, a venue originally dedicated to traditional martial arts competitions, was used for a musical event. The arena is now considered sacred grounds for rock music.

The Beatles Website

(Source: thebeatles.com)

Walking into a serious audio store these days is like entering a time machine. All the talk is about room-filling high-fidelity sound. The gear is new, but the conversations are much like those your father and grandfather had when they went shopping for hi-fi.

Outside the store, meanwhile, most people under 25 are getting their music from cheap ear buds, tiny laptop speakers and compact sound files that have had much of the music’s sonic juices squeezed out of them. Convenience has brought about a low-fi revolution in the way we hear music.

So what’s a record producer to do? Keep on recording music to sound great on conventional stereo systems, or tweak things to get as much as possible from a speaker as big as your fingernail?

It’s not an entirely new question. When AM radio play was essential to selling records, some musicians and producers trimmed their mixes in line with the limited capacity of pocket transistor or car radios.

Following closely on the heels of the release of the well-received Waves/Abbey Road – The King’s Microphones plugin, Waves Audio and Abbey Road Studios have announced a long-term strategic partnership. As part of this relationship, Waves’ R&D department will collaborate closely with Abbey Road Studios’ engineers to create an ongoing series of audio plugins. Abbey Road Studios has been home to sessions for countless landmark recordings by artists such as The Beatles, Pink Floyd, The Hollies, Cliff Richard, Kate Bush…READ MORE